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In the following Master’s thesis I examine two central concepts in the development of the Latin-American novel of the 20th century: the Marvelous Real (lo real maravilloso) and the American Baroque (lo barroco americano), both developed by the Cuban author Alejo Carpentier (1904-1980). In the study, following some biographical considerations, two original texts by Carpentier are presented; the fir
