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This paper examines the role of metaphor in the construction of femininity, masculinity and sexuality in the lyrics of the Latin American Music genre reggaeton. Based on a selected corpus of the lyrical content of two groups of material: mainstream reggaeton and the trending feminist reggaeton, the study takes an interdisciplinary approach combining cognitive linguistics, Critical Discourse Analys

Sweden in the Eyes of the Southern European Reader : Translation and reception of Swedish fiction in Greece and Spain between 2000 and 2017

Scandinavia holds a prominent position in the field of translation, and Swedish is one of the most translated languages. In this study, we explore the scope of Swedish literature translated into both Greek and Spanish in recent years. There are many similarities between the two countries, especially regarding twentieth century history, and in particular as to their relations to Sweden, but at the

Hope Wanted : Wall Writing Protests in Times of Economic Crisis in Athens

This paper discusses the urban writing on Athenian walls as an imaginative medium of intercommunication occurring during the socioeconomic and political crisis era in Greece, over the last seven years. The street art activity on the city’s walls as a linguistic and imagery phenomenon could be approached as the main symbolic mode of public expression generated by the crisis. To investigate it field

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In the following Master’s thesis I examine two central concepts in the development of the Latin-American novel of the 20th century: the Marvelous Real (lo real maravilloso) and the American Baroque (lo barroco americano), both developed by the Cuban author Alejo Carpentier (1904-1980). In the study, following some biographical considerations, two original texts by Carpentier are presented; the fir

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Parting from Henri Meschonnic’s poetics of rhythm, this study explores the rhythmic configuration in eight poems of Juan José Saer’s barely commented poetry collection, El arte de narrar. Poemas (2000). Meschonnic’s poetics conceives of rhythm as the movements of a form, which is open and multiple and whose dispositions reveal a poetic subject’s voice, orality and corporeal nature. This study depa