The Fusion of Fable and Comedy. Some Remarks Concerning the Danish Reception of Boursault’s First Aesop Play
By examining the reception of Edme Boursault’s first fable comedy, Ésope (1690), the paper discusses the historical prerequisites of an interlacing of fable and comedy. The several 18th century translations of Boursault’s drama often have been taken as a pretext for the success of his genre experiment. The fusion of fable and comedy was, however, not in all respects in line with literary horizons