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Publication, Circulation and the Vernacular : Dimensions of World Literary Unevenness

This introduction positions the essays in this special issue in relation to Pascale Casanova’s model of inequality and value in the world republic of letters. Arguing that the vernacular has been an overlooked or underelaborated concept in subsequent world literary theorizations, the essay then proceeds to discuss the shifting value and nature of the vernacular–a concept that only has meaning if i

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The poetry of Hanni Ossott (1946-2002) is hardly known beyond Venezuelan frontiers, and so is any domestic or foreign research, almost non-existent, about her published works, an exception being El reino donde la noche se abre (1987). Such a scenario, unfortunately, continues to be so regarding her other works, especially the ones published thereafter. For this reason, this article will focus on o

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in Spanish literature. Different theoretical perspectives of a number of literary researchers studies of the narrator in second person are illustrated and based on these researches two Spanish literary works are analyzed. It is concluded that the second person narrator causes rhetorical power; The purpose of this study is to create an understanding about the use of the narrator in the second perso