Improvisera mera? Kritisk diskursanalys och dekonstruktion av texter om orgelimprovisation
This article describes an analysis of texts on musical learning processes. Two texts from two Swedish textbooks on organ improvisation, that were pub- lished with an interval of twenty years (1977 and 1996), were chosen with the purpose of studying the development of lan- guage use during this period. A combination of critical discourse analysis (CDA) and deconstruc- tion was used in the analysis,
