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Since Jean-Paul Sartre’s conception of le regard des autres in 1943, ‘the gaze’ has taken on many manifestations. The male gaze, the white gaze, the imperial gaze, the postcolonial gaze. All imply a power to objectify, to define an Other, usually from a distance or even, as Donna Haraway described objectivity, from 'nowhere.' Museums have always held the power to define Others while claiming objec
