Reflection, Lore and Acting : The Practitioner’s Approach
The article discusses how the practitioner’s – i. e. the actor’s − knowledge and experiences could form a base for artistic research. As an example the author uses actor Ann Petrén’s Master thesis and his own PhD. The author presents how the term lore could offer a useful concept to describe the different levels of bodily experiences, knowledges and even theories present in the actor’s work. The d
