”The only artist of undoubted genius who has ever lived.” En kanonkritisk granskning av representation i A world history of art.
The aim of this thesis is to find out how women artists and artists from outside Europe and North America are represented in chapters 19 through 22 of the book A world history of art by Hugh Honour and John Fleming. By examining representation in this part of the book, which is about modern art from 1900 to 2012, using qualitative and quantitative content analysis as well as cultural theorist Stua
