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The marker le in Mandarin Chinese: A discussion on contextual influence
Navigating narratives: A framing analysis of AUKUS in Chinese state media
Translating the Definite Article in Patents into Chinese
Chinese International Students’ Everyday National Belonging during the COVID-19 pandemic in France
Chinese FDI and its effect on trade for the five African countries Angola, Nigeria, South Africa, Zambia and Zimbabwe
Chinese Digital Diasporic Media and The Shaping of Identity: The Case of UKzone
Comparison between CISG II, Swedish and Chinese Contract Law
Kina har under flera års tid varit en av världens snabbast växande ekonomier och utgör därmed en enorm potentiell marknad för svenska företag. Den ökande handeln och transaktionerna med Kina kräver förståelse för kinesisk kontraktsrätt, som ännu inte är särskilt välkänd eller studerad i resten av världen. Syftet med uppsatsen är att jämföra och analysera likheter och skillnader mellan svensk och
Dynamics of Philanthropy in China: Patterns of Negotiations and Collaboration in Shenzhen and Yunnan
Chinese Marriage Traditions: Exploring Contemporary Changes
Volvo Car Corporation and its Potential Market in East Coast China
Sweet and Sour: The Self-employment Experience of the Chinese Immigrants in the UK
Maritime Arbitration: Law and Practice in the People's Republic of China
Teaching the third tone in Standard Chinese: Tone representation in textbooks and its consequences for students
Being Minority and Majority - Chinese Muslims in Malaysia
Desiring Feminism in Chinese Documentary
Abstract in Chinese本文通过分析 2016年在香港大学举办的“情欲中国：性与女性主体”展映纪录片，以及受邀但因伦理问题未参展的影片，探讨中国独立纪录片电影在处理隐私、性别、暴力、创伤等议题时的女权主义立场性：1）电影人的关怀伦理立场，以及与影片主人公形成（亲密）团结立场；2）影片主人公从坦白和渴求的立场出发，从基于性别的暴力和歧视中重宣自主；3）电影人与影片主人公从不同的立场出发，通过发行控制来降低纪录片对主人公个人生活可能造成的负面影响；4）片中人物与电影人自我转变的演进，因此恢复一度禁止的放映；5）从活跃分子立场出发的政治代言，以及从电影人立场出发的艺术意义上的再现；6）理论与实践之间的紧张关系要求学者、电影人和活跃分子反思性别与知识生产的传统关系，置身于具体处境中进行讨论和落实纪录片伦理。本文认为在制作、展映、评论中国关于女性的纪录片时，有必要采取女权主义的关怀伦理
Sensing China review
Although many of the chapters focus on individual senses, most of them end up demonstrating that no sense works in isolation and that sensation is always social and quite often emotional as well.