“WOMAN ALWAYS TENDS TO BECOME THE ONE WHO OTHERS WANT TO SEE…”: THE CONSTRUCTION OF WOMANHOOD IN SOVIET TV-MOVIES OF THE STAGNATION PERIOD (1967-1982)
This research paper aims to identify how womanhood is constructed in the Soviet TV-movies of the Stagnation era. The thesis is based on the theoretical background in the areas of gender constructions in Western media, gender constructions in Soviet society, and gender constructions in Soviet cinematography. The methodology of discourse analysis and the method of discursive psychology are used to i