Sokurovs Faust: rysk kritik mot västeuropeiska upplysningsideal
The intention of this paper is to explore the Russian film director Alexander Sokurov’s perspective on Western European Enlightenment in his movie Faust. The essay uses the film theory and method known as neoformalism in order to analyse the film’s aesthetic qualities in a cultural and historical context. The result of the analysis shows that the film’s dominant principle, to which many of the oth
