GESTURES OF FAILURE: Performances of otherness, masochism and unbecoming in Thea Djordjadze's exhibition our full
This thesis makes use of Georgian artist Thea Djordjadze’s exhibition our full to explore the close connection between artistic failure and “otherness”. Combining queer theory with theories of the gesture, I examine how frameworks of artistic quality are maintained through repetitive forms, postures and themes that serve to value certain ways of seeing above others. By a careful study of the way o
