Cultivating Critique in Folds and Pleats - Posthuman Enactments in the Dress of Rick Owens
Taking as its epistemological starting point the proposed geological era of the Anthropocene, this thesis enquires the affective potential of avant-garde fashion in criticising, improving or transforming the supposed givenness of The Human as a historical concept. In order to do so, it inflects and departs from the tightly held onto-epistemological cannon of fashion studies and anthropology of dre