En analys av medietransformation i filmen Känn ingen sorg
This study investigates the movie Känn ingen sorg (2013) from an intermedial perspective. By applying the theories of Lars Elleström and Irina O. Rajewsky the aim is to investigate how the movie can be understood as a transformation of lyrics and music by the musician and composer Håkan Hellström. My study leads to a conclusion about how both the theory of Elleström and of Rajewsky can be helpful
