Foreign Influences on Nordic (Noir) Borderlands
This article analyses the three recent Nordic Noir television series Bordertown (Sorjonen) from Finland, Trapped (Ófæro), from Iceland, and the Danish- Swedish The Bridge (Broen/Bron). All series are located on national borderlands, and this article aims to discern the significance of using such borderland settings. Departing from Doreen Massey's emphasis on places as being inherently interlinked