Community Arts : On the precarious compromise between the inspirational and the civic worlds
Building on Boltanski’s and Thévenot’s notion of the plurality of forms of worth, the chapter focuses on the tension between the world of art (with an inspirational order of worth) and the community organiser’s world (guided by a civic principle of worth). Empirical material comes from VoS, a non-profit community-arts organization in Sweden. The chapter follows the sequence of events, criticisms,