Touching through Music, Touching through Words : The performance and performativity of pianistic touch in musical and literary settings
This article investigates the versatile embodiment of touch in the sensory-aesthetic construction of piano performance. The sensorial interactions enmeshed in piano playing distribute a peculiar interaction between touch and sound, which can be comprehended as two kinds of pianistic touch–the physical touch and the affective touch. In the synthesis, or symbiosis, of these two kinds of touch, piano
