How to Explore the Original through Its Copies. On Modern Furniture Classics in Contemporary Sweden.
Within the realm of furniture is the copy a controversial subject matter and is often discussed in terms of “real or fake”, “copy or original”. Walter Benjamin was probably the first theorist to pay attention to the power of the copy, in terms of changing our social and cultural attitudes towards the nature of representation with his Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit