Playing with Borders : Film Music and Social Criticism in Swedish Comedies by Hasse and Tage
This chapter discusses five films between 1964 and 1981 by two of the most popular comedians of all time in Sweden but practically unknown to a global audience: Hasse Alfredsson and Tage Danielsson, often branded as Hasse&Tage. They mixed social and political criticism with humor, and their films can be genre-classified as a sort of political art-comedy since they used many familiar devices in