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This study investigates the modal verbs must and should with deontic meaning in patient information leaflets (PILs), comparing them with their varying translations in the corresponding PILs in Spanish. The objective is to draw conclusions about whether and how the degree of obligation is modified in the translation. Modal verbs are known to pose translation challenges due to the absence of one-to-

The objective of this study is to map and analyze the different uses and distinctions between the two verbal forms synthetic future (cantaré) and periphrastic future (voy a cantar). The study examines whether there has been a shift in the frequency of general use between the two forms over the past 20 years, as well as maps out the different contexts and levels of formality in which each form appe

The present study investigates the intersection of temporal, modal, and aspectual values conveyed through the etymological use of the imperfect subjunctive’s -ra form in the Spanish language. This usage can be seen in journalistic, literary, or essayistic texts, and is expressed through forms such as: “He who was a minister for three years has indicated that...”. The study analyzes this usage in a

Patricio Guzman’s 1997 documentary film La memoria obstinada contains highly interesting narrative elements. These performative devices, also called re-enactments, are remarkably effective in historiographical, psychological, and cultural terms. These stylistic devices present in the Chilean director's cinematographic work manage to materialize memory within the sociocultural context to which

The purpose of this bachelor thesis is to contribute to a postcolonial re-reading of Julio Cortázar’s work titled “La noche boca arriba” (translated as “The Night Face Up”). The interest arises because the fantastic aspects of the story has been the main focus of many literary analyses, overshadowing the dichotomous narrative. Therefore, the objective of this thesis is to analyse the Eurocentric s

Jorge Ibargüengoitia is one of the most prominent writers in 20th-century Mexican literature. This study provides an analysis of his narrative in the work Dos Crímenes. The primary objective is to elucidate how the author constructs his narrative threads through the use of irony, which becomes a recurrent tool in his style. To accomplish this, it is proposed that Ibargüengoitia employs different t

Abstract in SpanishEl referéndum catalán del 1 de octubre de 2017 y la consiguiente crisis política han actualizado la urgente necesidad de diálogo, no solamente en la política sino también en el ámbito de la producción cultural. Las demarcaciones entre los estudios de la producción cultural en lengua española, por una parte, y los estudios de la cultura en catalán, euskera y gallego, por otra, si

This introduction positions the essays in this special issue in relation to Pascale Casanova’s model of inequality and value in the world republic of letters. Arguing that the vernacular has been an overlooked or underelaborated concept in subsequent world literary theorizations, the essay then proceeds to discuss the shifting value and nature of the vernacular–a concept that only has meaning if i