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Abstract: This thesis examines the non-dominant and self-subversive aspects of visuality in Roberto Bolaño’s 2666 through the lens of the philosophical discussion on representation, particularly in its post-structuralist context. The present research is grounded in the conviction that 2666 embodies the 20th-century crisis of representation and approaches the novel through an analysis of different
Det som hände i Mexiko kan hända här
Tabun i skolpolitiken
Det polska skolundret
Intellektuell kvalitet avgörs inte av ägarformen
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När universitetsläraren påminner om en guide
Pension på nya villkor
Varför pratar vi inte mer om Tyskland?
Minoriteter kan också förtrycka
Akademiska friheten snart utan innehåll
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Sverige har gjorts arvlöst på sin historia
Ihärdigheten kring Pokémon säger något
Alice Munro hade inte klarat normen
Förstår de allvaret i det som händer?
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In the wake of the economic and social crisis, Spanish fiction has looked for ways of reflecting (on) the political. One of the manners has been to attempt to understand how the crisis has affected subjectivity and, more concretely, how the subject navigates the society of the crisis. In this article, I study three recent novels—Alberto Olmos’ Ejército enemigo (2011), Bruno Galindo’s El público (2