Fiat lux: An analysis of light art through objecthood and embodied simulation, reflecting on the conceptuality and corporeality of the artistic medium
Though established as a movement and recognised as artistic form, light art remains elusive and somewhat enigmatic in its definitions and categorisations. This thesis aims to contribute to the current discourse on light art by exploring the application of objecthood and embodied simulation whilst acknowledging the contextual, three-dimensional, spectacular, and anti-art qualities of the art form.
