Canonicity, canon, canonizable and the implications of transcultural communication
Harold Bloom, in the Western Canon, selected only twenty-six sine qua non writers and, invoking Giambattista Vico’s New Science, where human history was distributed in three phases – Theocratic, Aristocratic, and Democratic – introduced another one, the Chaotic Age (represented by Freud, Proust, Joyce, and Kafka).1 Bloom did not expel this newly proposed Age, as it was also the container of beauty