Deep Situated Listening Among Hearing Heads and Affective Bodies
This chapter argues for a new listening practice for electroacoustic music (EAM) that I call “deep situated listening”. “Deep situated listening” builds on existing EAM-theories, aesthetics and practices – which I here collectively refer to as the “hearing heads” approach – but extends this approach by adding an explicitly feminist perspective. “Deep situated listening” combines Donna Haraway’s no