Creative and crime scene photography : staged patricide and matricide as screen memories in Aida Chehrehgosha’s To Mom, Dad and My Two Brothers
Aida Chehrehgosha’s award-winning photography series To Mom, Dad and My Two Brothers (2008) in which the artist controversially stages the death of her abusive mother and father is examined in this essay as exemplifying a form of screen memories — a conscious psychodynamic strategy, introduced by Sigmund Freud, employed here to both expose and heal traumatic experiences. Challenging the dominant v
