Exhibition-Making and Political Imaginary : On Modalities and Potentialities of Curatorial Practice
The Ph.D. project concerns itself with curatorial practice, its constituent modalities and potentialities. It consists of both a practical and a theoretical part. These are not separate entities, but immersed in each other. The point of departure is my own practice, but making claims for a general analysis of the politics of exhibition-making. Rather than proving or disproving certain proposition,
