Performance som politisk aktivism - Om den svenska receptionen av Valerie Solanas SCUM-manifest med fokus på Malin Arnells performance I didn't do it for nothing
The purpose of this thesis has been to illustrate the performative aspects of the expressions created by the Swedish reception of Valerie Solanas’ Scum Manifesto, by focusing on Malin Arnell’s performance piece I didn’t do it for nothing. Arnell’s performance works as a connecting point on which Judith Butler's account of performativity and Louis Althusser's theory of interpellation has be