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Large language models (LLMs) like GPT-4 have the potential to dramatically change the landscape of influence operations. They can generate persuasive, tailored content at scale, making campaigns using falsified content, such as disinformation and fake accounts, easier to produce. Advances in self-hosted open-source models have meant that adversaries can evade content moderation and security checks

This thesis explored the application of pre-trained transformer models in detecting suicidal ideation in social media posts. We leveraged social media data from platforms like Reddit and Twitter and applied a robust hyperparameter random search strategy to fine-tune and evaluate existing transformer models. Despite noise in the fine-tuning data, the models demonstrated high performance in identify

https://www.vetenskaphalsa.se/tag/social-bias/ - 2026-06-09

A traineeship abroad provides experience that gives your degree a unique profile. If you are a student at Lund University and you wish to do a traineeship in Europe, you might be eligible to apply for an Erasmus+ traineeship grant. Shortcuts to page content:About the grantFinding a traineeshipHow to applyIf you are awarded a traineeship grantAfter your traineeship Next application period: The appl

https://www.lunduniversity.lu.se/current-students/international-opportunities/grants-and-scholarships-studies-and-traineeships-abroad/erasmus-grants/erasmus-traineeship-grant - 2026-06-09

Restyling Factual TV is about understanding genres in relation to each other and in relation to popular audiences. It takes as a starting point the idea that factual television is being restyled, that various kinds of news, current affairs, documentary and popular factual genres are part of a turbulent time in broadcasting. The boundaries between fact and fiction have been pushed to the limits in

https://rwi.lu.se/blog/sebnem-kenis-human-rights-and-ai-powered-content-moderation-and-curation-in-social-media/ - 2026-06-08

Artificial Intelligence Archives - The Raoul Wallenberg Institute of Human Rights and Humanitarian Law Skip to content Search for: Search Button Home About Us Who We Are Our History About Raoul Wallenberg Our Theory of Change Staff Opportunities Annual Reports Whistleblower Our work What we do Multi-Disciplinary Research Higher Education Strategic Advice and Analysis Outreach Evaluation of Program

https://rwi.lu.se/podcast-tags/artificial-intelligence/ - 2026-06-09

This article is opened by explaining a specific type of hate speech: Holocaust denial. I will establish that Holocaust denial is a form of hate speech. The article is concerned with the expression of this idea by educators. I make some constructive distinctions that will help in crystallizing our treatment of teachers who are Holocaust deniers. Should we allow Holocaust deniers to teach in schools

Följande uppsats analyserar det straffrättsliga ansvaret vid olyckor orsakade av självkörande fordon. Dessa självkörande fordon styrs av avancerade artifi-ciella algoritmer som fattar autonoma beslut, vilket utmanar straffrättens grundläggande krav och principer. Bland annat blir maximet ”nulla poena sine culpa” (inget straff utan skuld) lidande när beslutsprocessen i gärningsögon-blicket saknar tThe following thesis analyzes criminal liability in accidents caused by self-driving vehicles. These autonomous vehicles are governed by advanced artifi-cial algorithms that make autonomous decisions, which challenges the funda-mental requirements and principles of criminal law. Among other things, the maxim "nulla poena sine culpa" (no punishment without guilt) suffers when the decision

The opening seconds of Emily Wardill’s film Identical (2023) are simple and elemental: the seductive play of light on water. Or, put another way, the film begins by depicting the moment where one thing bends, reflects and distorts another – and is seen differently as a consequence. This jewel-like mirage is doubled across a second screen. Initially, each image appears indistinguishable from the ot

Solo show at KW , Berlin, Germany. Text by Mason Leaver-Yap:The opening seconds of Emily Wardill’s film Identical (2023) are simple and elemental: the seductive play of light on water. Or, put another way, the film begins by depicting the moment where one thing bends, reflects and distorts another – and is seen differently as a consequence. This jewel-like mirage is doubled across a second screen.